
Query Letter to Pitch to Treatment: Selling Your Script in Person and Online
ABOUT THE WEBINAR
Thereâs nothing harder than breaking into the entertainment business, but never before has the important of a good Query Letter, Pitch, or Treatment been so important. Particularly because of the many new on-line businesses that provide access to the heretofore inaccessible agents, managers, producers, and production companies, your ability to be able to tell your story in a powerful, highly edited sales tool like a Query Letter, Pitch or Treatment is more important than ever. This can seem a daunting process, particularly for people who have either no experience in the world of pitching, or outright fear of being put in such a situation.
Mitch, a screenwriter who has been through â and continues to go through â the querying and pitching process thousands of times, will share with you tips and facts on how to hone each presentation to its most dynamic and effective form. Heâll use not just anecdotal experience, but share query letters, pitches and treatments that will enable you to get to the finish line when itâs your material that needs to be presented. Learn the value of a Treatment not just as a âleave behindâ for a producer, but as an expanded outline for writing your script.
WHAT YOUâLL LEARN
- How to write a great Query Letter â whatâs in and whatâs out
- The value of power editing to make your point
- What makes a good Log Line
- Who to send a Query Letter to and when
- How a Query letter can be used on todayâs âaccessâ websites and contests
- What makes a Pitch a good Pitch and how does it grow from the Query Letter
- The mini v. the maxi Pitch â when, where, and why
- How is a Treatment different from both a Pitch and Query Letter
- How long, how detailed can a Treatment be
- The value of a Treatment in writing your screenplay
- When to provide written material and when not to
- The value of registering your material, even as short as a Query Letter
WHO SHOULD LISTEN?
- Any writer, new or experienced, whoâs ever needed to write a Query Letter to a website, agent or executive
- Writers whoâve had trouble synthesizing a Log Line
- Writers who have trouble being tough editors of their own sales tools
- Writers who have never quite understood the difference between a Query Letter and a Pitch
- Writers who have never quite understood the difference between a Pitch and a Treatment
- Writers who tend to âdive inâ rather than follow a disciplined approach
- Writers who havenât written Treatments or Pitches, therefore donât understand how valuable they can be to writing the script
- Writers who arenât sure how to find the people theyâd like to query or pitch to
Query Letter to Pitch to Treatment: Selling Your Script in Person and Online
ABOUT THE WEBINAR
Thereâs nothing harder than breaking into the entertainment business, but never before has the important of a good Query Letter, Pitch, or Treatment been so important. Particularly because of the many new on-line businesses that provide access to the heretofore inaccessible agents, managers, producers, and production companies, your ability to be able to tell your story in a powerful, highly edited sales tool like a Query Letter, Pitch or Treatment is more important than ever. This can seem a daunting process, particularly for people who have either no experience in the world of pitching, or outright fear of being put in such a situation.
Mitch, a screenwriter who has been through â and continues to go through â the querying and pitching process thousands of times, will share with you tips and facts on how to hone each presentation to its most dynamic and effective form. Heâll use not just anecdotal experience, but share query letters, pitches and treatments that will enable you to get to the finish line when itâs your material that needs to be presented. Learn the value of a Treatment not just as a âleave behindâ for a producer, but as an expanded outline for writing your script.
WHAT YOUâLL LEARN
- How to write a great Query Letter â whatâs in and whatâs out
- The value of power editing to make your point
- What makes a good Log Line
- Who to send a Query Letter to and when
- How a Query letter can be used on todayâs âaccessâ websites and contests
- What makes a Pitch a good Pitch and how does it grow from the Query Letter
- The mini v. the maxi Pitch â when, where, and why
- How is a Treatment different from both a Pitch and Query Letter
- How long, how detailed can a Treatment be
- The value of a Treatment in writing your screenplay
- When to provide written material and when not to
- The value of registering your material, even as short as a Query Letter
WHO SHOULD LISTEN?
- Any writer, new or experienced, whoâs ever needed to write a Query Letter to a website, agent or executive
- Writers whoâve had trouble synthesizing a Log Line
- Writers who have trouble being tough editors of their own sales tools
- Writers who have never quite understood the difference between a Query Letter and a Pitch
- Writers who have never quite understood the difference between a Pitch and a Treatment
- Writers who tend to âdive inâ rather than follow a disciplined approach
- Writers who havenât written Treatments or Pitches, therefore donât understand how valuable they can be to writing the script
- Writers who arenât sure how to find the people theyâd like to query or pitch to
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Shipping & Returns
Shipping & Returns
Description
ABOUT THE WEBINAR
Thereâs nothing harder than breaking into the entertainment business, but never before has the important of a good Query Letter, Pitch, or Treatment been so important. Particularly because of the many new on-line businesses that provide access to the heretofore inaccessible agents, managers, producers, and production companies, your ability to be able to tell your story in a powerful, highly edited sales tool like a Query Letter, Pitch or Treatment is more important than ever. This can seem a daunting process, particularly for people who have either no experience in the world of pitching, or outright fear of being put in such a situation.
Mitch, a screenwriter who has been through â and continues to go through â the querying and pitching process thousands of times, will share with you tips and facts on how to hone each presentation to its most dynamic and effective form. Heâll use not just anecdotal experience, but share query letters, pitches and treatments that will enable you to get to the finish line when itâs your material that needs to be presented. Learn the value of a Treatment not just as a âleave behindâ for a producer, but as an expanded outline for writing your script.
WHAT YOUâLL LEARN
- How to write a great Query Letter â whatâs in and whatâs out
- The value of power editing to make your point
- What makes a good Log Line
- Who to send a Query Letter to and when
- How a Query letter can be used on todayâs âaccessâ websites and contests
- What makes a Pitch a good Pitch and how does it grow from the Query Letter
- The mini v. the maxi Pitch â when, where, and why
- How is a Treatment different from both a Pitch and Query Letter
- How long, how detailed can a Treatment be
- The value of a Treatment in writing your screenplay
- When to provide written material and when not to
- The value of registering your material, even as short as a Query Letter
WHO SHOULD LISTEN?
- Any writer, new or experienced, whoâs ever needed to write a Query Letter to a website, agent or executive
- Writers whoâve had trouble synthesizing a Log Line
- Writers who have trouble being tough editors of their own sales tools
- Writers who have never quite understood the difference between a Query Letter and a Pitch
- Writers who have never quite understood the difference between a Pitch and a Treatment
- Writers who tend to âdive inâ rather than follow a disciplined approach
- Writers who havenât written Treatments or Pitches, therefore donât understand how valuable they can be to writing the script
- Writers who arenât sure how to find the people theyâd like to query or pitch to











